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By Anthony D'Alessandro. Entertainment banner. Warner Bros. Nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance.
Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grande-dame actress, a lady-killer writer and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand.
Ultimately, though, it leads her to a new understanding of the kind of life she craves β and the kind of freedom it takes to pursue it. The entire time I was writing the novel, I was picturing it on the big screen. Something about the glittering and glamorous sex-appeal of the New York City theater world in the s just demands to be brought to life in the most vivid and shining way.
The fact that this will be a female-led production makes me happier still, because City of Girls was always meant to be a story for women, and about women. My characters could not be in better hands with Kroll and Ashford. Subscribe to Deadline Breaking News Alerts and keep your inbox happy.
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